THE SLIDER – T. Rex – T. Rex (UK)/Reprise (USA) – 1972
By 1972, British music had fully renewed itself on the American scene in the form of glam rock. David Bowie, Slade, and Roxy Music were all part of this musical landscape that Marc Bolan and his band T. Rex expanded and exemplified. Glitter, platform boots, sci-fi imagery, and ’50s rock n’ roll roots made this sub-genre exciting, fresh, and new to kids of the ’70s who may not have realized that this was the rock n’ roll of Chuck Berry, Howlin’ Wolf, and Little Richard — just amped up and fuzzed out for the new generation.
T. Rex’s album The Slider made full use of all of these elements to create a vibe that spoke to a new generation of rock fans. The album was the pinnacle of the dreamworld that Marc Bolan created, and it leaves us spellbound more than 40 years later. In this episode, we theorize over some extremely poetic lyrics, attempt to decode Bolan, introduce a new hashtag (#RespectTheSequence), and somehow, somehow connect T.Rex to DJ Khaled.
Episode notes and postscript corrections
- First things first: we haven’t properly met, and we’ve gotten some great questions from listeners about who we are and what we do. You can read more about us (Carly and Carrie) on our about page, and answers to the most frequently asked questions on our new (and ever-evolving) FAQ page here.
- We sound better! Thanks to our friend Jesse Berney for the mic recommendation.
- We’re on Facebook! Like and follow us here, or just search for us. We are literally the only thing that comes up when you search 77 Music Club.
- We’re also on Twitter! We tweet fun things! Follow us!
- Last shameless self-promotion bit: follow us on Spotify, where we host a master playlist with all the songs we reference in each episode, as well as individual playlists from Carly and Carrie (your favorite kids who like music made before they were born and respect the art of sequencing) covering a slew of different themes, moods, and tunes we’re listening to in our off weeks.
- Here’s a summary of how T. Rex morphed from psychedelic folk group Tyrannosaurus Rex to glam rock T. Rex.
- Shoutout to A1 (again — no, this isn’t sponsored, but we wouldn’t be opposed to that…). If you’re in New York or visit sometime, we would love to go record shopping with you.
- “Ride a White Swan” was T. Rex’s real breakthrough to glam rock in 1970.
- The 77 Music Club Soundtrack playlist (our master playlist) has “Metal Guru” and “My Sweet Lord” back to back, for comparison. Listen and let us know your thoughts.
- Pitchfork placed “Metal Guru” at 154 on their best 200 songs of the 1970s (more about that later) — read what they had to say about it here.
- “Panic” by The Smiths is also next to “Metal Guru” on our playlist — let us know what you think of the comparison.
- Can anyone tell us where we can sit in on a college course called Glam Rock 101 (or something comparable)? Thanks.
- Fun fact: Ringo Starr and Marc Bolan were bros. He did the photography for the album sleeve.
- Another fun fact: The Slider was one of many albums recorded at the legendary Honky Chateâu.
- Hey, remember that time Dylan went electric?
- Here’s another plug for our master playlist: compare and contrast Sheryl Crow’s “There Goes the Neighborhood” with “Rock On.” Tell us what you think.
- Our last episode highlighted a band whose method was music first, then lyrics. With Marc Bolan, the lyrics came first, then the music. When met with criticism that T. Rex’s music was often repetitive or formulaic in composition, Bolan explained that this was intentional: the music needed to remain simple to let his complex lyrics shine.
- “The Slider” definitely references drugs, definitely has exaggerated coke sniffing lines, and allusions to growing pot. Just @ us if you think we’re wrong, but it screams “Hm, do you get high? Do you? I don’t know, why don’t you tell us more.”
- Jokes aside, RIP Marc Bolan. Bolan died in a car crash in 1977, two weeks before his 30th birthday. An ironic twist to the tragedy: he feared a premature death, so never learned to drive, but still harbored a fascination with cars.
- We see you with that Max’s Kansas City shoutout in “Baby Boomerang,” Marc Bolan. We see you.
- Marc Bolan’s lyrics are bonkers poetry and we absolutely love them. Just read “Baby Boomerang” and see for yourself.
- “The songs were mostly nonsense, but rather than sounding like gibberish, Bolan seemed to be speaking in an alien code that, to this today, we’re still not cool enough to decode.” — Pitchfork, getting something right in their deeply flawed (our opinion) 200 Best Songs of the 1970s list.
- The Shins covered “Baby Boomerang” in 2004 and you should definitely give it a listen.
- Anyway, here’s “Spaceball Ricochet.”
- Part of punk rock’s merits was that it heralded in a greater acceptance of songs that weren’t joyous or pompous, rather, songs that were real, songs that were honest about insecurities in their lyrics and weren’t pretending to be cool. We think “Spaceball Ricochet” stands as a precursor to the genre; we’d love to know your thoughts on this hypothesis.
- Listen to “Buick McCane.” Then listen to the Black Keys. (They’re both in our playlist; and, actually, it’s been noticed more than once that they wrote a song that is basically “Mambo Sun,” so.) Let us know if you think they could totally kill a T. Rex cover.
- “Telegram Sam” is about Marc Bolan’s accountant, not his drug dealer. Sorry.
- Hear us out: “Telegram Sam” did the DJ Khaled pep talk before DJ Khaled.
- Brief background: DJ Khaled is a producer and a (not that great, tbh) rapper who is famous on the internet (Snapchat, mostly) for videos he shares from his daily life, mostly sharing his “major keys” to success. One time he got “lost” at sea on a jet ski and documented the saga. It was nuts.
- He has a new baby son and likes to share videos in which he gives him inspirational pep talks. Here is our favorite. Google for more. Your heart will thank you.
- Anyway, DJ Khaled’s “You’re a boss. You’re a don. You’re an icon. You’re a legend. You’re doing such a good job” spiel is the 21st century’s answer to Marc Bolan giving his friends shoutouts: “Telegram Sam, you’re my main man. Bobby’s alright, he’s a natural born poet — he’s just out of sight.”
- Lesson: Be a good friend. Pep talk your bros.
- Can anyone tell us what “Rabbit Fighter” is about? Because we are truly stumped.
- If “Ballrooms of Mars” sounds like a very Bowie-esque title (and song), don’t be surprised— Bowie and Bolan were bros.
- Blast “Chariot Choogle” in the car, windows down, volume all the way up. You’ll feel amazing.
- We will definitely be renting a Zipcar (we live in New York; give us a break), picking a road trip, and doing this once the weather gets warm. We will report back.
Favorite track(s): Telegram Sam and Ballrooms Of Mars (Carly) | Metal Guru (Carrie)
Least favorite track: Rabbit Fighter (Carly) | Rabbit Fighter (Carrie)
Marc Bolan – vocals, guitar
Steve Currie – bass guitar
Mickey Finn – percussion, vocals
Bill Legend – drums
Mark Volman (“Flo”) – background vocals
Howard Kaylan (“Eddie”) – background vocals
Tony Visconti – production, sleeve photography, string arrangements
Ringo Starr – sleeve photography
Dominique Blanc Francard – engineering
Freddy Hansson – engineering
David Katz – orchestra contractor
Andy Scott – engineering assistance
Mark Paytress – liner notes
Chris Welch – liner notes
T. Rex – Get It On (Bang a Gong) on Top of the Pops | 1971 (Note: Bolan wears glitter under his eyes in a move that many music historians credit as the ushering in of glam rock)
T. Rex in Concert – Wembley | March 1972
Marc Bolan-Russell Harty interview | 1972
The Slider reissue review | Consequence of Sound (October 2010)
The Slider reissue review | Pop Matters (December 2010)
The Slider box set review | The Quietus (December 2012
The 10 Best T. Rex songs | Stereogum (June 2013)
Revisiting a Glam Milestone, T. Rex’s The Slider | Ultimate Classic Rock (July 2012)
The T. Rex Wax Co. Singles review | Pitchfork (January 2006)