URBAN VERBS – Urban Verbs – Warner Brothers – 1980
In our very first oral history episode, we are extremely proud to present the story of Urban Verbs, an integral band in the shaping of Washington D.C.’s burgeoning punk scene in late 1970s and early 1980s.
With the frenetic energy of punk buzzing out of New York and London and the first bursts of post-punk already beginning to enter the airwaves, Urban Verbs stood at a crossroads of sonic and cultural possibilities. They had their own uncharted terrain on which they could create a scene of their own, with their own experimental sound: Their home base, the now-legendary 9:30 Club, spawned a singular new wave movement, one whose influence can still be felt among D.C. bands of today. Their unique meshing of the visual arts crowd with the music world helped to usher in a unification of the D.C. creative community.
Only circumstance separated the Verbs from widespread national acclaim, so with this episode, we offer a candid telling of a story that we feel deserves recognition, a story of music that still sounds as fresh, driving, and progressive today as the day it was recorded. These are the recollections of an extraordinary period in time, told by those who lived it.
Carly and Carrie would like to dedicate this episode to the memory of Robert Goldstein, whose music and essential contributions to the Verbs were a large part of the inspiration for this project.
Here, shared with the public for the first time, is the detailed, two page letter legendary producer Brian Eno wrote to the Urban Verbs upon hearing them for the first time at CBGB. Delivered to the band the morning after the show and featuring extensive handwritten marginalia, the letter reflects Eno’s enthusiasm for their unique sound, the potential he heard in it, and his eagerness to record them — at his own expense.
In it, Eno is remarkably candid, mulling over ideas that seem dated now (“I’ve often thought of the next generation of machines and computers,” he muses) but were ahead of their time, offering suggestions and praise in equal amount. “That was how far I could go before getting embarrassed,” he concludes. “I realize that this gush might surprise you somewhat, but you came at a good time for me.”
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Thank you very much to Rod Frantz for sharing this document with us.
And here are the tracks Eno ended up producing for the Urban Verbs:
Episode notes and postscript corrections
- Here’s a publicity still of the Urban Verbs from the late ‘70s that’s cool af.
- Here’s some extensive info about the ARP Odyssey synthesizer Robin Rose used.
- While the Verbs were pioneers in the D.C. rock scene, this article from D.C. Whiz highlights some of their contemporaries, including the Slickee Boys, mentioned in this episode.
- For a taste of what the B-52s were like around the time they played with the Urban Verbs, check out this in-depth look at their early days.
- Here’s some more info on Mike Thorne’s career.
- The awful Rolling Stone review is, surprisingly, nowhere to be found on the internet. And we mean surprisingly as in “we sometimes scare ourselves with how good we are at sleuthing and deep diving the murky online waters and we STILL couldn’t find it.”
- The Washington Post covered the Urban Verbs extensively in their D.C. days. See our further reading links below to read everything from profiles of the band to reviews of their shows.
- The Urban Verbs briefly reunited in 2008. Here’s an interview with the band from the time, and peep our further watching links below to see a 2008 performance of Terminal Bar.
- More from Bob Boilen on the Urban Verbs.
- The last time that all the original members of Urban Verbs publicly performed together was at the Katzen Arts Center in D.C. in May 2016. Check out our further watching links below to watch their performance.
- See our further reading links below to read and listen to NPR’s poignant remembrance of Robert Goldstein.
- Members of the Verbs, along with other DC bands and artists who continue their legacy, held a tribute concert for Robert Goldstein (which came to be known as RobertFest) at the new 9:30 Club in January 2017. A video of the entire show can be viewed in our links below.
- In the mood for another oral history? The Washington Post did one in 2010 on the founding and subsequent life of the 9:30 Club.
Roddy Frantz — Vocals, Written-By — Lyrics
Robert Goldstein — Guitar, Written-By — Music
Robin Rose — Synthesizer
Linda France — Bass and piano
Danny Frankel — Drums and percussion
Mike Thorne — Producer
Dance of Days: Two Decades of Punk in the Nation’s Capital | 2009
Ambient Genius (Brian Eno profile) | The New Yorker (July 2014)
Remembering Robert Goldstein, NPR’s Music Librarian and Our Friend | NPR (October 2016)
Urban Verbs’ Renewal (on a 1995 reunion at the 9:30 Club) | Washington Post (December 1995)
The Urban Verbs: Future Tense (debut album review) | Washington Post (March 1980)
The Urban Verbs (Pension Building show review) | Washington Post (March 1980)
The Urban Verbs (profile of the band) | Washington Post (February 1979)
Two Rock Groups Play CBGB’s (show review) | The New York Times (November 1978)
The Urban Verbs (Corcoran Gallery show review) | Washington Post (October 1978)