MUSIC – Carole King – Sony Music – 1971
By the final months of 1971, she was a bona fide superstar. A Los Angeles Times Top 10 Woman of the Year and platinum album seller, her solo singles chronically became hits, and in June of that year, she sold out Carnegie Hall. Her talent, relentless ambition, and steadfast belief in both had taken her to the height of musical recognition without compromising any of her originality — an exemplary feat that was emblematic of the dawning of the freer, more authentic era for women that the 1970s would come to be. She had named herself Carole King at age 14, and now, the woman that Brooklyn’s Carol Klein became was enjoying something else on her terms: her own success.
The album that brought it to her, of course, was Tapestry, but late in 1971, Carole King released her follow-up, Music. Though it received mixed reviews upon its release, Music showcases several of the tricks in Carole’s bag, with influences spanning jazz to R&B to classic pop, arrangements varying from the quiet and simple to the symphonic, and ranging in emotion while never losing her trademark intimacy. This is an album that is more than just a juggernaut’s endearing postscript — it is a declaration of confidence, awareness, and love.
Listen to Music: iTunes | Spotify | YouTube
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Episode notes and postscript corrections
- Hi, yes, we did do Music instead of Tapestry, even though Tapestry is an iconic album with a ton of material circulating about it. See, that’s one reason why we’re not doing it — because so much has already been said. Wanna know more? (Because this whole not-covering-the-album thing is something you’ll see a lot around here.) Head to our FAQ section.
- Carole King has had a prolific career since she was a teenager. You’ve probably (definitely) heard some of her early songs with Gerry Goffin like “The Loco-Motion,” “Up On The Roof,” and “One Fine Day.” (If you haven’t, then where have you been?)
- Her band The City only produced one album. It’s good. Carly has been hunting for it for ages on vinyl, so if anyone ever comes across it and wants to be a good samaritan, just @ us.
- James Taylor, you a good friend. A good, good friend.
- Here’s Robert Hillburn’s Women of the Year profile of Carole King.
- Check out our further reading section below to read Rolling Stone’s original review of Music. (It’s not very kind, but we’re gonna be talking about it a lot.)
- “Brother, Brother” is totally a sister/response song to Marvin Gaye’s “What’s Going On?” Bop over to our master playlist on Spotify to hear them back to back and tell us if you agree or disagree.
- Hi, Time. We’re here to remind you that baby boomers are the original Me generation. (No shade to baby boomers or to Me generations; just sayin’.)
- Carole has credited Toni Stern as a collaborator who helped give her the courage to write on her own after Gerry. Here’s some more about her.
- Throwback to our Graham Nash episode “It’s Going to Take Some Time” might remind you a bit of the mature breakup themes on Songs For Beginners.
- Yes, the Carpenters covered “It’s Going to Take Some Time.” Yes, they used a flute. Yes, it was hokey AF. We have been here with our distaste for flutes before. They just ain’t funky.
- All those songs with similar syncopations that Carly explained? Yeah, you can find them all back-to-back in our Spotify playlist. Dig in. Geek out.
- “I never wanted to be Danny Kootch. I always thought it was the stupidest fucking nickname in the world.” — Danny Kortchmar AKA “Kootch”
- No really, one day we’re going to do an episode all about the Section.
- It’ll be just like a Jack Stratton Holy Trinities episode. (PS — You should really, really watch this one and also, if you dig funk, you should really, really listen to Vulfpeck.)
- ICYMI in our Jackson Browne episode, read more about the Section in our further reading links below.
- Throwback to our Al Green episode (wow, we are very self-referential this week) for a reminder about all that guud Willie Mitchell juju.
- Even your faves stan their own faves. Case in point: Carole King writing “Carry Your Load” to sound like a Laura Nyro song, whom she greatly admired.
- Fun but random fact about Laura Nyro: If you can find an original copy of Eli and the Thirteenth Confession, pull out its liner notes and sniff them. Really. They should still smell like lilac perfume. That’s intentional.
- OMG wow spoiler alert: Carly and Carrie don’t always agree on everything! Case in point: our healthy lil debate/discussion about the production and instrumentation of “Music.”
- Here’s Carole’s OG demo of that Monkees song.
- “Song of Long Ago” is friendship feels, so shoutout to all the bub friends out there.
- Okay, but “Brighter” is such a sweet and lovely song, it just makes our hearts swell.
- No, really, if anyone knows how to get Nancy Meyers to use it in one of her movies, please let us know. It’s peak turtleneck-and-beautiful-kitchen-and-happy-people music.
- If you’re ever feeling too good about yourself, remember that Cameron Crowe was reviewing albums for the San Diego Door when he was 14 years old. (Shoutout to Cameron Crowe; we really like you.) Read his review of Music here.
- If anyone can get us a time machine to the Troubadour circa 1972, that would be awesome, thank you.
- New here? Forgetful? Find out what we mean when we say “RihannaMagic.GIF” in our handy dandy show glossary.
- HONESTLY, if you can find a copy of PBS’s American Masters: Troubadours: The Rise of the Singer-Songwriter, you will be a VIP friend of the pod. Its existence has all but been erased from the internet.
- Carrie was wrong; Emmylou Harris’s “Luxury Liner” came out in 1976, not 1975.
- You know we’re all about that legacy — who lives, who dies, who tells your story?
- First, Carole King is still very much a presence in music today. In 2015, she received a Kennedy Center honor. In 2016, she headlined the British Summer Time Festival and played Tapestry live in its entirety for the very first time. This year, she released a song to support the Women’s March. Woke.
- Second, some great artists you should check out who carry on her songwriting style and musical influence (we’ll put them all in the playlist): Sara Bareilles, Greta Morgan, Diane Birch, Vanessa Carlton… the list could go on, but here are some A+ starters.
- Third, she even has a musical about her life (Beautiful: The Carole King Musical) that’s been on Broadway for 3+ years now. Talk about legacy.
- If you wanna talk to us: hit us up over email, like us on Facebook, or even feel free to slide into our DMs on Twitter.
- Shoutout to our one star reviewer on iTunes, whoever you may be. They don’t want you to win. We love you anyway.
Carole King – Vocals, piano, electric piano, electric celeste, backing vocals
Ralph Schuckett – organ, electric piano, electric celeste
Danny “Kootch” Kortchmar – acoustic and electric guitars, backing vocals
James Taylor – acoustic guitar, backing vocals
Charles Larkey – electric and acoustic bass guitar
Joel O’Brien, Russ Kunkel – drums
Ms. Bobbye Hall – congas, bongos, tambourine
Teresa Calderon – congas
Curtis Amy – tenor saxophone, flute
Oscar Brashear – flugelhorn
William Green – woodwind, flute, saxophone
William Collette – woodwind, flute, saxophone
Ernest Watts – woodwind, flute, saxophone
Plas Johnson – woodwind, flute, saxophone
Mike Altschul – woodwind, flute, saxophone
Abigale Haness – backing vocals
Merry Clayton – backing vocals
Favorite track(s): Sweet Seasons and Music (Carly) | Sweet Seasons and Brighter (Carrie)
Least favorite track: Surely (Carly) | Surely (Carrie)
Carole King’s Kennedy Center Honors induction | 2015
Carole King: “I never thought about gender” (MSNBC intervew) | 2015
A Conversation With Carole King (book discussion at JFK Library) | 2012
Hotel California: LA From the Byrds to the Eagles | 2007
A Natural Woman: A Memoir | 2012
Girls Like Us: Carole King, Joni Mitchell, Carly Simon — And the Journey of a Generation | 2008 (side note — this is a huge favorite of both Carrie and Carly)
An Oral History of Laurel Canyon, the ’60s and ’70s Music Mecca | Vanity Fair (March 2015)
The Section: Knights of Soft Rock | Rolling Stone (April 2013)
Music review | Rolling Stone (January 1972)